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Dance (Whitechapel: Documents of Contemporary Art)
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From Publishers Weekly
In her new collection, NYU associate professor of performance studies Lepecki begins by noting that while dance has consolidated its themes and forms with other art forms, it remains overlooked in critical and theoretical art discourse. Lepecki captures international texts from the early 1950s through 2011, written by dancers, choreographers, and their collaborators, to explore the evolution and concerns of contemporary dance. Although much thematic overlap exists in the content, the documents are organized into five sections, to focus on choreographic shifts, movement theorizing, practices of embodiment, chorepolitics, and context and score. Conversations with groundbreaking artists, such as Pina Bausch, Bill T. Jones, and Eiko & Koma, reveal insights into individual process, and are collected along with tersely written damce scemarops and commentary. Short essays, from choreographers including William Forsythe and Boris Charmatz, question the very semantics referenced throughout the text ("Choreography is a curious and deceptive term," writes Forsythe). This variation in approach from humorous and cynical to conceptual and righteousand abstract, strengthens the collection. As he states in the introduction, Lepecki is trying to diminish misperceptions of dance and dance-makers "as non-verbal artists creating a supposedly ‚--òvisceral' art whose sole purpose is to move gracefully, flawlessly, to the sound of music.." His editorial choices help both to ground and to elevate the dialogue.
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This variation in approach from humorous and cynical to conceptual and righteous and abstract, strengthens the collection. As he states in the introduction, Lepecki is trying to diminish misperceptions of dance and dance-makers 'as non-verbal artists creating a supposedly 'visceral' art whose sole purpose is to move gracefully, flawlessly, to the sound of music.' His editorial choices help both to ground and to elevate the dialogue.―Publishers Weekly
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Product details
Series: Whitechapel: Documents of Contemporary Art
Paperback: 240 pages
Publisher: The MIT Press (August 10, 2012)
Language: English
ISBN-10: 0262517779
ISBN-13: 978-0262517775
Product Dimensions:
5.8 x 1 x 8.2 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#1,116,154 in Books (See Top 100 in Books)
The Whitechapel series is irresistible, if devoted to a single "curatorial" author's idiosyncratic view of a phenomenon. Lepecki's lens is quite philosophical, but acknowledges historical landmarks from dance's modernist roots and early postmodernism. Its full of discoveries he uncovers, but is not for those dancers for whom intellectualism is suspect.
Excellelent selection of materials.
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