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, by Michael Freeman
Ebook Free , by Michael Freeman
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Product details
File Size: 89044 KB
Print Length: 193 pages
Page Numbers Source ISBN: 1781573360
Publisher: Ilex Press (June 15, 2017)
Publication Date: June 15, 2017
Sold by: Hachette Book Group
Language: English
ASIN: B07119DTW1
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Amazon Best Sellers Rank:
#131,960 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I will join the group here with a 5-star rating. I am not a huge fan of the "star" rating system, because - in my opinion - it effects sales disproportionately (a 5-star book needs only one bad review in many to become a 3 or 4 star book). Being an author myself, I understand this, and I don't think anything other than 5-star accurately reflects the utility of this book.My primary question would be whether I would recommend that a serious photographer purchase this book. And I would recommend it. I have been shooting (film, progressed to digital in 2002) for 40 years; and am mostly-self-taught. This means (especially in the early years) lots of "how to" books. There are lots of pretty good ones out there and lots of not-so-good ones. Many keep re-iterating the same "basics" over and over again, which for the most part is a waste of space for the seasoned user. There are a few real "keepers" in my view. But there is NO ONE book that comprehensively covers a subject. Like any learning endeavor (even school textbooks) you need to collect different books to supplement each other. This is one of those books. It has a lot of very good information in it and should be part of a serious B&W shooter's "library" in my opinion. But it probably isn't the only book you should have (I think the Ansel Adams books are probably part of the library too).Now for some objective criticism.The positive: This a a book for those who like to "get under the hood." I am one of those. I really enjoyed the brief history, and the comparison of B&W film characteristics with digital. It puts what I am trying to do and why into context. There is just enough information about how to use the popular software applications. It is not a re-hash of the how-to books.The negative (or perhaps "constructive" :-) ): Some of this may be editorial, but it affects the reader experience. My biggest issue is that the text often references (usually Photoshop) measurements that are not illustrated. It often will say something like, "as the histogram in this image illustrates .....". Then rather than having a histogram as an illustration for the image, the book will show the image and occasionally some sliders for the suggested adjustment. Likewise, there is often a reference made to an original image and then the suggested adjustments and the final image. Sometimes the original image is presented - but often it isn't. Sometimes the "stages" are illustrated by resulting image. But sometimes they are not. This is very inconsistent throughout the book and is somewhat disconcerting for the reader who is trying to follow and learn.Overall, these are not major issues and I would recommend this as an addition to your library
I am so glad Michael Freeman released an updated version of this excellent, academic book filled with great examples. Strongly recommend for any serious BW photographer.
This is an incredibly helpful book. It covers so much of what you need to know with contemporary black and white photography in the digital age. Software and in-camera issues and tips that matter to everyone.
Considers every aspect of black and white photography. Useful for both film and digital.
Overall, a good book, but it does have some fluff that wasn't really needed.
Item as described delivered on time
Read the book from cover to cover.Full of useful processing information, all very easy to understand.
If you’ve been doing photography for any length of time, you know that any book written by Michael Freeman will be among the best you can buy on any topic. Freeman’s new book, Black and White Photography, keeps the tradition of excellence by providing photographers with a quintessential guide to creating and editing monochrome images.In this book, Freeman rightly begins at the beginning—with a genuinely interesting history of photography. And since black-and-white photo was at the beginning, Freeman introduces the fundamental technical and style traditions established and refined by the masters as black-and-white shooting evolved. But you’re never left with a dry, tasteless walk from Niepce’s 1826 eight-hour exposure to Daguerreotypes that reduced exposure time to 20 to 30 minutes. Freeman includes the artistic philosophies and concerns of the masters including and their responses to the introduction of color films. Throughout, Freeman relates the past technologies and approaches with current technologies and options. So if you think you can skip the history part, you’ll miss important considerations for current photographers.Despite the introduction and mass popularity of color film, black-and-white photography endures both for its aesthetic and artistic impact. You’ll learn the structure and characteristics of black-and-white films that serve as the basis for the “looks†that photographers today want to replicate when converting color digital images to monochrome. As Freeman discusses how lighting, drama, geometry, and texture become the hallmarks of black-and-white images, I realized again that black-and-white shooting demands an artistic vision in ways that color photography does not.The author discusses every aspect of monochrome images from shape and composition to tone and texture, and he clearly demonstrates how to maximize each aspect to deliver your final interpretation of the image. Abundant and beautiful images illustrate Freeman’s techniques.Like most photographers know, working with 12- or14-bit RAW images offers files that are data rich, allowing a wide range of adjustments including highlight recovery during conversion. Freeman shows conversion examples in programs ranging from using Adobe Camera Raw (ACR) with it’s SHL/Grayscale and Curves tools, and Adobe Lightroom to various plug-ins such as Silver Efex Pro (a plugin that sadly is no longer supported by Google).You’ll learn how to think in black and white so you can pre-visualize the final image. The author spends time showing you how to adjust and perfect contrast, how to work with high- and low-key images, and how to tone-map images with and without High Dynamic Range (HDR) processing to name a few. At every turn, Freeman includes alternate options. By manipulating hue, he demonstrates how to fine-tune contrast, atmosphere and depth in the image, as well as how to adjust the appearance of vegetation and dark and light skin tones.As a photographer and author, I know that Freeman’s recommendations keep with the best of industry standards. Whether you’re new to monochrome shooting or returning to it after time away, this book will make you anxious to begin shooting black-and-white.Freeman leaves no stone unturned. It’s with a detailed, clear-eyed vision, from capture to thoughtful processing, that the rich history of black-and-white photography is brought forward to today.
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